![]() ![]() ![]() ![]() Simply put, the quartet was unlike any writing I’d encountered: an unsparing look at the frenzied, sometimes ugly, interior lives of two women and how complicated but how deep and giving a love/hate friendship can be. (Related: 19 Books Rory Gilmore Would Have Read During The Past 9 Years) As someone who anticipated the fourth book with a rabid fanaticism I can only compare to my own teenage fervor for The Deathly Hallows , I completely understand why Ferrante Fever hasn’t fizzled out. It’s been over a year since the release of the tremendously satisfying finale to the Neapolitan Quartet, The Story of the Lost Child, and Elena Ferrante’s name is still on everyone’s lips (and some other names are on some other lips, but I’ll let that lie). ![]()
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